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It’s August 1939 and five cousins gather at their uncle’s big house on the Cornish coast. The imminence of war charges the air as they frolic on the fragrant lawn and tempt fate on the terrifying cliffs that one last sultry summer. Returning to the house nearly half a century later for a funeral, they recall how the war rearranged their lives and brought them suffering, sex, and love.
This lusty, darkly humorous drama reunites Good Neighbors co-stars Felicity Kendal and Paul Eddington. Also starring Jennifer Ehle (Pride and Prejudice), Tara Fitzgerald (Brassed Off!), Rosemary Harris, Claire Bloom, and Nicholas le Prevost. Faithfully adapted from Mary Wesley’s beloved novel by Ken Taylor, who also adapted The Jewel in the Crown for television.
Immensely popular when originally broadcast on Britain's Channel Four in 1992, The Camomile Lawn offers ample proof that British TV drama rises well above American TV in terms of sophistication, maturity, and literary influence. Faithfully adapted by Ken Taylor (The Jewel in the Crown) from the novel by Mary Wesley, this five-part wartime drama bears some thematic and structural resemblance to The Big Chill (in both films, a burial serves as a reunion for long-time friends) and chronicles a variety of secrets, lies, and passions among a close-knit group of relatives in Cornwall, just as World War II begins in 1939. The funeral that frames this fond reminiscence takes place in 1984, and it sparks fond memories of "the Camomile Lawn" at the cliff-side home of Aunt Helena and Uncle Richard (Felicity Kendal and Paul Eddington, reunited from the hit Brit-com Good Neighbors), so named because its fresh scent is a reminder of happier times before the war. Among the five cousins whose lives are deeply affected by the war, the dramatic focus remains on young Sophy (superbly played by Rebecca Hall, and in later scenes by Claire Bloom) and the deliberately mercenary Calypso (Jennifer Ehle), who marries for money and finds love--or at least sex--with whomever she pleases while her husband's away in battle.
For a series that features ample nudity, sexual indiscretions, and surprisingly frank treatments of alcoholism, adultery, and rape, The Camomile Lawn remains entirely respectable in the way it weaves passion and pain into a cohesive, engrossing drama, rich in humor and humanity while discreetly handling less savory aspects of its characters' behavior. Also featuring Claire Bloom and Tara Fitzgerald (Brassed Off) in one of her earliest starring roles, the series develops its characters so effectively that the emotional impact of the war becomes a powerful bond between them, and we experience their joys and sorrows as intensely as they do. Best of all, Taylor's teleplay is blessed by abundant wit and humor--the best defense against the melancholy of war--and director Peter Hall guides his stellar cast with impeccable attention to details of character and context. The result is a very satisfying and richly authentic portrait of privileged England on the brink of war and personal tragedy, imbued with a resilient richness of spirit. A screen-text biography of author Mary Wesley is included (she was already in her seventies when her first novel was published), along with cast and crew filmographies. --Jeff Shannon
WHO THREW THAT CHAIR ONTO THE SET?Reviewed by Mr Pineapples, 2009-09-20
I watched this when it came out, and have returned to it years
later.
And how different it seems in retrospect.
The acting is wooden - it's as if someone threw a chair onto the
set. There are some good performances but in the main the order of
the day is clipped upper class Englishness with warmth and humanity
drained away. All very sterile.
The writing and dialogue is at times painful, stilted and unreal,
with the delivery of lines from the actors forced and almost
alien.
Some other strange stuff too: the uncle liked little girls (in a
sexual way)and this was shrugged off as mild eccentricity. How
times have changed since the 1990s !
What is good about this series is the historical references and the
depiction and sense of the war years.
Well worth watching but not the greatest piece of drama.
The Chamomile LawnReviewed by Roberta Hughes, 2009-05-08
Entertaining enough, to keep you watching. A bit eyebrow-lifting,
for husband & I both, to see Jennifer Ehle, baring it all, with
full frontal nudity, & emiting obscenities...namely, the "F"
word, repeatedly, when describing what she felt was the sound the
train was making, while she was in her sleeper booth with her new
husband.
With her natural (blond) hair color, in this miniseries, &
filmed in her pre-Elizabeth Bennet days, her character revealed to
us exactly what lay beneath Lizzy's ample cleavage, prior to her
having won that role. Obviously, an actress without inhibitions,
for her to portray Calypso, who, although a virgin on her wedding
day, turned out to possess very loose morals, as the film
progressed.
We did not care for the ending of this story, & it is one that
we will probably not view again.
Wonderful Period Drama!Reviewed by C. Alford, 2009-03-22
I recommend this wartime period piece. It turns into a good mystery towards the end.
engrossing storyReviewed by S. Accomando, 2009-03-13
this story caught my attention immediately. I am a fan of many of
the stars and it was interesting to see them play roles very
different from my original introduction (Jennifer Ehle as someone
other than Elizabeth Bennett and Felicity Kendall as someone other
than Rosemary Boxer). I was a little surprised by the sexual
content and nudity but it was nothing offensive.
My only problem is the "up in the air" ending. I find this a quite
common in BBC productions (Ballykissangel for one), maybe it's
because they are so interesting and engaging that I don't want them
to end.
the camomile lawnReviewed by Helen M. Keltie, 2008-12-16
Marvellously acted. A very saucy story with a great deal of
humour.
Jennifer Ehle was outstanding and Paul Eddington irritating but
played his
part to perfection.